Bob Seger: Beautiful Loser CD Track Listing

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Bob Seger Beautiful Loser (1975)
Originally Released April 1975\nCD Edition Released February 1988\nReissued CD Edition Released June 16, 1995\n\nAMG EXPERT REVIEW: Beautiful Loser winds up sounding more like Back in 72 than its immediate predecessor, Seven, largely because Bob Seger threaded reflective ballads and mid-tempo laments back into his hard-driving rock. He doesn't shy away from it, either, opening with the lovely title track. And why shouldn't he? These ballads were as much a part of his success as his storming rockers, since his sentimental streak seemed all the more genuine when contrasted with the rockers. If anything, Beautiful Loser might err a little bit in favor of reflection, with much of the album devoted to introspective, confessional mid-tempo cuts. There are a couple of exceptions to the rule, of course -- "Katmandu" roars with humor, and his cover of "Nutbush City Limits" shames Tina Turner's original -- but they are the only full-throttle rockers here, with "Black Night" coming in as a funky, swaggering cousin. It's the exact opposite of Seven, in other words, and in its own way, it's just as satisfying. Occasionally, it might be a little too sentimental for some tastes, but it's all heartfelt and he's written some terrific songs here, most notably the album's heart of "Jody Girl" and "Travelin' Man." Seger has started turning inward, searching his soul in a way he hadn't since the since disowned Brand New Morning, and, in doing so, he was setting the stage for his first genuine blockbuster. -- Stephen Thomas Erlewine\n\n\nROLLING STONE REVIEW\nBob Seger is a superb songwriter and Midwestern rocker who's been ignored for far too long. He had a hit, "Ramblin' Gamblin' Man" in 1968, but superior followup singles went unheard. The dramatic "East Side Story" (his first regional hit), the frighteningly intense "Lookin' Back" and the most passionate, personalized antiwar song of the Sixties, "2+2," should have been part of everyone's radio heritage.\n\nBeautiful Loser is Seger's eighth album. While it lacks a classic to rank with past 45 greats, it's his most consistent effort, a deft balance of chugging rockers and striking, reflective numbers. The lyrics are thoughtful and intriguing, with tasteful musical backing from the Muscle Shoals Rhythm Section. "Jody Girl" and "Fine Memory" are melodic, touching songs which suggest a restrained Van Morrison, while Tina Turner's "Nutbush City Limits" contributes a timely, slashing change of pace. "Sailing Nights" is reminiscent of Procol Harum's nautical phase--potentially perilous waters, but Seger navigates them well.\n\nThe key cut is the six-minute "Katmandu," a fierce rock & roller wherein Seger adapts a familiar Chuck Berry lyrical mode to his own purposes: Ten years of not making it in his homeland is enough--next stop, Katmandu. With this fine LP, he deserves his long delayed recognition--now. (RS 188 - Jun 5, 1975) -- KEN BARNES\n\n\nAMAZON.COM CUSTOMER REVIEW\nOn the verge of greatness., March 2, 2006\nReviewer: twincitytwin (Denver, CO)\nThis was the last album for Bob Seger, before he hit it big. At this point in his career, Seger was devloping his skills as a songwriter. There are some great songs on this album, but some weak moments as well. Lines like "I used to go out evenings, I used to stay out late some evenings" (Momma) show a that a bit of work was needed before Seger could reach the top of his game. On the other hand there are lines like "He wants his home and security, he wants to live like a sailor at sea" (Beautiful Loser) which are great. There are some good rock tracks on the album such as Katmandu and a cover of Nutbush City Limits. These along with the title track, and Travelin' Man, are the best songs on the album. \n\nThis album is a definite must for any die hard Seger fan. If you are just getting into him, I would recommend "Stranger in Town, "Against the Wind," or even "Night Moves" ahead this one.\n\n\n\nAMAZON.COM CUSTOMER REVIEW\nA lot of reviewers need to get their facts straight here!, June 7, 2005\nReviewer: T. LeBaron "Todd LeBaron" (NH)\nFirst of all, this is NO "wussy" album...it was the precursor to the Silver Bullet Band as we came to know it...a lot of these songs made it onto Live Bullet...so the reviewer that said "it just isn't the same without the Silver Bullets" has nothing to compare it to from before. Second of all, any album with "Katmandu", "Travelin' Man" and the title cut on it doesn't suck at all. These were classic tunes that Bob just kicked up a notch when it came to live performance. This was Bob's 8th album and deserves its recognition and its place for being the one before the one that broke things wide open for one of rock's true classics. If I had a complaint about this album, it would be a minor one...its running time leaves me wanting more...but knowing what came after this one makes up for it. As for all you complainers, you need to get your facts straight if you're REAL Seger fans!\n\n\nAMAZON.COM CUSTOMER REVIEW\nAn Stirring Album With an Amateur Touch, April 10, 2003\nReviewer: Bud Sturguess (Seminole, Texas, USA)\nThough he was already somewhat of a veteran of the rock and roll world, Bob Seger's 1975 effort "Beautiful Loser" packs an amateurish punch that is as effective as it is genuine. With the aid of long-times allies the Muscle Shoals Rhythm Section, and the blossoming, soon-to-be infamous Silver Bullet Band, Seger found himself just a step away from stardom with his pair of breakthroughs "Night Moves" and "Live Bullet." But before that could happen, "Beautiful Loser" had to become the stepping stone.\nThe amateur-styled writing and recording are extremely useful in displaying the pure rock and roll feelings evident in tracks like the radio favorite 'Katmandu' and a cover of Tina Turner's 'Nutbush City Limits.' However, some of Bob Seger's most realistic and stirring points of view are found with the desperation of 'Jody Girl' and 'Sailing Nights,' the childlike calling of 'Momma,' and the lessons of the title track and 'Travelin' Man.' \nThough slightly overlooked, "Beautiful Loser" is probably the most renowned of Bob Seger's pre-fame recordings, opposed to other obscure albums as "Noah," "Ramblin' Gamblin' Man" or "Smokin' OP's." But it is still one of Seger's finest collections, if not one that should be held apart from his more popular recordings, as it is so purely genuine and subtle the result is just plain stirring.\n\n\n\nHalf.com Album Notes\nPersonnel: Bob Seger (vocals, guitar, harmonica, piano); Kenny Bell, Pete Carr, Jimmy Johnson, Drew Abbott, Paul Kingery (guitar); Tom Cartmell (saxophone); Harvey Thompson (tenor saxophone); Ron Eades (baritone saxophone); Harrison Calloway (trumpet); Chales Rose (trombone); Barry Beckett (piano, organ, synthesizer); Spooner Oldham (piano, organ); Robin Robbins (organ, mellotron); David Hood, Chris Campbell (bass); Roger Hawkins (drums, percussion); Charlie Martin (drums); Stoney, Rocky (background vocals).\n\nProducers: Muscle Shoals Rhythm Section, Punch Andrews, Bob Seger.\nRecorded at Muscle Shoals Sound Studios, Sheffield, Alabama.\n\nBob Seger's 1975 release, BEAUTIFUL LOSER, proved to be his best-received disc thus far, and would set the stage perfectly for the breakthrough success of his next release a year later, LIVE BULLET. The last Seger studio album released before he formed his famed backing group, the Silver Bullet Band, BEAUTIFUL LOSER includes several Seger standards.\nHighlights are the fast-paced rocker "Katmandu," the ballad "Jody Girl," and the album-opening title track. While some of the songs would have been stronger with the Silver Bullet Band's presence (the blaring sax parts that would grace Bob's future albums are notably absent), BEAUTIFUL LOSER remains one of Seger's best pre-LIVE BULLET releases.
This rock cd contains 9 tracks and runs 33min 3sec.
Freedb: 6907bd09
Buy: from Amazon.com

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