Electric Light Orchestra: Out Of The Blue CD Track Listing

A list by checkmate

Electric Light Orchestra Out Of The Blue (1977)
Out Of The Blue (Australian Import)\n\nOriginally Released November 1977\nUSA CD Edition Released June 1987\n\nAMG EXPERT REVIEW: The last ELO album to make a major impact on popular music, Out of the Blue was of a piece with its lavishly produced predecessor, A New World Record, but it's a much more mixed bag as an album. For starters, it was a double LP, a format that has proved daunting to all but a handful of rock artists, and was no less so here. The songs were flowing fast and freely from Jeff Lynne at the time, however, and well more than half of what is here is very solid, at least as songs if not necessarily as recordings. "Sweet Talkin' Woman" and "Turn to Stone" are among the best songs in the group's output, and much of the rest is very entertaining. The heavy sound of the orchestra, however, as well as the layer upon layer of vocal overdubs, often seem out of place. All in all, the group was trying too hard to generate a substantial sounding double LP, complete with a suite, "Concerto for a Rainy Day." The latter is the nadir of the album, an effort at conceptual rock that seemed archaic even in 1977. Another chunk is filled up with what might best be called art-rock mood music ("The Whale"), before you finally get to the relief of a basic rocker like "Birmingham Blues." Even here, the group couldn't leave well enough alone -- rather than ending it on that note, they had to finish the album with "Wild West Hero," a piece of ersatz movie music that adds nothing to what you've heard over the previous 65 minutes. In its defense, Out of the Blue was massively popular and did become the centerpiece of a huge worldwide tour that earned the group status as a major live attraction for a time. -- Bruce Eder\n\nDetails \nProducer: Jeff Lynne \n\nAlbum Notes\nElectric Light Orchestra: Jeff Lynne (vocals, guitar, keyboards); Mik Kaminski (violin); Hugh McDowell, Melvyn Gale (cello); Richard Tandy (keyboards); Kelly Groucett (bass); Bev Bevan (drums, percussion).\n\n1977 is remembered as both the year of punk and the year of disco. At the time, though, it was the year of Fleetwood Mac's RUMOURS and Electric Light Orchestra's OUT OF THE BLUE, two albums that were simply inescapable. But where overexposure made RUMOURS feel somewhat stale and dated, OUT OF THE BLUE sounds as fresh now as it did at the time. This is due in large part to the obsessive insularity of Jeff Lynne's aesthetic. He seems not to be ignoring musical trends, but to be simply unaware of them. Lynne's mid-period Beatles fixation combines with his love of lush orchestrations and pristine production to create some of his strongest music, including the enormous hits "Turn to Stone," "Sweet Talkin' Woman" and "Mr. Blue Sky." However, the autobiographical "Birmingham Blues" suggests that Lynne was tiring of the rock-star grind, which might explain ELO's lowered profile after this release.\n\nAmazon.com Editorial Review\nELO's fusion of Beatles-esque harmonies and melodic structure, coupled with their symphonic arrangements was just on the verge of wearing thin at the time they released Out of the Blue. To argue that the double album went platinum because of the band's live extravaganza to support it--the band performed inside a flying saucer--is a premise worthy of consideration. Song for song, Out of the Blue is not as strong as Face the Music, but it still has some of Jeff Lynne's finest compositions ever recorded. "Turn to Stone" and "Sweet Talkin' Woman" are almost downright giddy in their deliveries; the former opening with a string riff, the latter with a minor key violin line, before boasting a choral background accompaniment. "Mr. Blue Sky" and "The Whale" are almost too hokey, yet still managed to work. "Standin' in the Rain," "Big Wheels," and "Summer and Lightening" are more memorable. But in the end, power cello riffs can only take you so far. Stick with a "greatest hits" or "best of" collection in this case. --Steve Gdula \n\nAMAZON.COM CUSTOMER REVIEW\nPossibly Jeff Lynne's materpiece, May 30, 2006\nReviewer: Jon Jasper "CustomCadillac" (Kennebunk, ME USA)\nThis album is quite possibly Jeff Lynne's masterwork - a blending of rock and real (not synthesized) strings into a series of amazing songs. Sure, here and there, the lyrics are fluffy confections but in them I see where he was experimenting with "voices-as-instruments" ala Esquivel's work (in which the syllablic singing subbing for instruments got distracting, hearing four-part harmony "zoo-zoo-zoo-zooie, zooie!" or "boink! boink!" got too cutsie, distracting and tiresome quickly - Jeff Lynne pulls that idea off more cleanly and with less distraction) Lynne got to Esquivel's level of silliness with the idiotic, meaningless repetition of "Brruce!" in the hit "Don't Bring me Down" from a later album. That juvenile "I'm-a-genius-and-you'll-take-what-I-give you" attitude is happily missing from this album - a genius at work who doesn't yet fatuously consider himself to be a genius. \n\nI bought a used copy of this album, thus assume it was one of the earlier releases of the CD version. If the order of songs given here is correct, CBS has corrected an error on older copies. The original double album had 17 tracks across four sides on two LP's. The older CD combined "Steppin' Out" and "Standin' in the Rain" into a single track, destroying album continuity and removing one of the album's best features - the "Concerto for a Rainy Day" The "Concerto" was comprised of four tracks from side three of the album: \n\n"Standin' in the Rain" \n"Big Wheels" \n"Summer and Lightning" \n"Mr. Blue Sky" \n\nIn the manner of the "concept album" of the 70's, the idea worked - four interconnected songs acting as the expression of a single idea. If the table of contents I see on the current page is correct, CBS appears to have inserted "Standin' in the Rain" as its own track (track 10) which, while repeating the song (it's still included in the "Steppin' Out" compilation [track 9]) it restores the existence and correct order of the "Concerto." I'm glad to see that gross error has been addressed as the "Concerto" was my favorite part of the entire album. I may buy again just to get a corrected copy.\n\nAMAZON.COM CUSTOMER REVIEW\nThe Bomb, May 14, 2006\nReviewer: Chris Cormier "Wonderbar" (canada)\nAfter hitting stride with New World Record, ELO presented their masterpiece on this album. Not a bad song on this DOUBLE album - probably 4 or 5 weaker songs but still immaculately produced and performed. Don't bother looking for lyrical depth - the focus is on catchy, beautiful music, instead of dabbling in politics, philosophy, heartache, etc. And ultimately, I listen to music because I like the songs. There really is no face to this music - it's not about personal experiences or grief or enlightenment, it's just singing because it feels good to sing. Sometimes that all gets forgotten when the artist starts thinking about his image, video, target audience, etc. \n\nAnd what a broad set of styles! Firmly rooted in Lennon/McCartney songwriting style, *modern* musical influences from around the world are all included here. No medieval flute-music or eastern scales, or caveman grunting or dry baroque frilliness, this is influenced by composers like Wagner, Mozart, Beethoven, mixed with glee club spirit and 50s music styles (Roy Orbison, Del Shannon, Buddy Holly, Beach Boys), like the Beatles themselves. It's very busy music, some people would say too cluttered. But I happen to LIKE all the over the top vocal silliness that is in every song on this album, and the massive instrumental tapestry that is woven into every track. 40 piece strings chugging along with a rock beat, huge backing choirs singing nonsense syllables, George Harrison-ish guitar solos, echoing vocals and harmonies - they're all here. After this album, they scaled back - they kind of had to, they pulled out all the stops for this album. Mr Blue Sky is about as good a song as has been written since the Beatles broke up. The astounding, unexpected, metallic synth note in 'Night in the City', the serenity of 'The Whale' (if you don't like classical music you'll probably label this as pretentious), the exuberance of 'Summer and Lightening', pretty well every song has such a strong original melody you'll be humming them long after the record stops. \n\nAMAZON.COM CUSTOMER REVIEW\nSimply grandiose..., April 14, 2006\nReviewer: Torquemada "dunlopilo" (Atlanta, Georgia USA / Madrid, Spain.)\nMusic is like fashion. It goes by cycles. However, unlike fashion, when it's over, it doesn't really come back. \n\nELO is probably one of those super bands of the 70s-80s that will however be remembered forever because of their concept, sound and quality. And Out of the blue is to me the album one must have in a collection ! This album is diverse, rich,tonic and so polished by fine studio musicians that I could talk about it on no less than three pages. My favourite track is "Standing in the rain". It has everything. Depth, power, lyricism, changes of rythm, multiple sequences, but you do have tons of different sounds from beginning to end of this collection of songs : \n\n-Latin tango like/classic piano sound on the lyrical "It's over", \n-Classic Violin with guitars a la Roy Orbison on "Sweet talkin woman" \n-Mexican trumpets on "across the border" \n-The drive in "night in the city", total madness... \n-The oriental flavour mixed with rocky guitars in "Jungle" (with the Tarzan cry as a bonus!) \n-Beethoven on "Leaving me now" \n-Australian bands (not AC/Dc though !) guitar sound on "Summer and lightning" \n-Techno on the "Whale" \nI'll let you find out more for yourself. \n\nAll this plus the cover sleeve design and witty, unpretentious lyrics make it the highest moment in their discography. And whoever says this is disco music is wrong. True that ELO sounded in every disco at the time, but almost everything did and everybody danced to it (even Dire Straits, not really a disco band...). The dancy tracks are far from being the greasy cheap songs from that era, which makes them very listenable tracks today, almost thrity years later. Talkin' about the Spice Girls or the Take That (who still remembers) ? \n\nA pity the big bands concept is out of fashion, but if you like this cd, get the Barclay James Harvest and The Alan Parsons Project (I Robot and Pyramid are probably good choices) or Supertramp (Crisis What crisis, and Crime of the Century are my best bets), or even Yes. If you really want to label ELO, I would go for a "Symphonic rock" one. But please, this is not DISCO ! \n\nAMAZON.COM CUSTOMER REVIEW\nElectric Light Orchestra's classic 1977 double album, October 24, 2005\nReviewer: Darth Kommissar (Las Vegas, NV (USA))\nINTRODUCTION: \nThe mid-late seventies is when Electric Light Orchestra entered their golden age. While Jeff Lynne's band produced plenty of excellent music earlier in the decade and scored a hit every now and again, no area would have the same kind of success for the group as the latter half of the seventies. When 1977 rolled around, the band had already released six albums, each one of which being excellent in its own way. The most recent ones of which had scored the group several hits, as well. 1977 was the year saw the release of the band's seventh album, Out Of The Blue. The album was the band's lengthiest studio effort, occupying two entire records! Many fans feel that of the band's seventies material, this is their magnum opus. Are those fans right? To see how it measures up overall, keep on reading! \n\nOVERVIEW: \nElectric Light Orchestra released Out Of The Blue in November of 1977. Jeff Lynne produced the album. This was Electric Light Orchestra's only studio effort that was a double LP, although the compact disc version puts all of the material together on a single disc. Tracklist for the album consists of Turn To Stone, It's Over, Sweet Talkin' Woman, Across The Border, Night In The City, Starlight, Jungle, Believe Me Now, Steppin' Out, Standin' In The Rain, Big Wheels, Summer And Lightning, Mr. Blue Sky, Sweet Is The Night, The Whale, Birmingham Blues, and Wild West Hero. \n\nREVIEW: \nOut Of The Blue is an Electric Light Orchestra masterpiece. Despite its length, which is nearly twice as long as any other one of the band's studio albums (due to the fact that it was originally a double LP), most of the songs are excellent. Some portions of the album do suffer from The Beatles White Album syndrome, where some of the songs seem like fillers in comparison to the others, but on this album, even the so-called fillers are good tracks! Seventeen tracks comprise the album (and because there are so many, this review is gonna be LONG. Consider yourself warned!) Let's take a look at the tracks! \n\n-SIDE A- \n\n-Turn To Stone: The band kicks off the album with Turn To Stone, which is one of the biggest hits they ever had. The symphonic pop-rock styling people know and love the band for is in its prime here. Jeff Lynne's vocals are great, and the backing instrumentation and orchestration are also great. What a way to start the album! \n\n-It's Over: Here the band does takes that classic symphonic pop-rock sound of theirs, and pairs it up with heavily melodic elements, making a half-ballad of sorts. Many portions of this song reminded me of Livin' Thing, a big hit from A New World Record, the band's LP that came before this one. All in all, another excellent cut. \n\n-Sweet Talkin' Woman: This was a moderately popular song for the group, and appropriately so - it's definitely one of their finest cuts. That light, optimistic pop-rock sound combined with orchestration works for the band once again. Definitely an essential track. \n\n-Across The Border: One of the things that impresses me about Electric Light Orchestra is their ability to fuse a variety of genres at once, and have the end result come out very good. This is a shining example of that phenomenon. It sounds like a cross between classical, pop, rock, and at times, even rockabilly and a traditional Mexican sound! Sound weird? It is, but that doesn't mean this song doesn't rule. \n\nSIDE B: \n\n-Night In The City: Here the band takes the straight-up rock approach, lacing it with the catchy hooks that makes Electric Light Orchestra songs great. Once again, the band's instrumentation really shines. Another solid addition to the group's musical catalogue. \n\n-Starlight: Electric Light Orchestra is one of those bands that can do no wrong. And sure enough, we have another excellent tune. Slow and melodic but still poppy in its sound, Starlight makes for another fine addition to the album. Underrated stuff. \n\n-Jungle: This here is one of my personal favorite cuts on the album, because the band beautifully shows off their musical diversity. With various animal sounds in the background, along with tribal yelling drumming, it definitely captures the feel that the title would imply the song would have. This one goes pretty light on the standard band instrumentation, but the song does not suffer as a result. Good song, and definitely underrated. \n\n-Believe Me Now: This is, essentially, a short piece of orchestral instrumentation. The melodies explored in this piece are nothing short of excellent, it's just a shame the piece as a whole is so short. Had the band taken the time to develop it, it could have been so much more. It comes off seeming like one of the so-called filler tracks, but it's still very good. \n\n-Steppin' Out: Jeff Lynne serves up his own breed of ballad. With a slow, melodic sound, and the classic instrumentation you know and love the band for, it's one of the many underrated but excellent songs this album serves up. Don't make the mistake of overlooking this little gem. \n\n-SIDE C- \n\n-Standin' In The Rain: Although there are vocals in this piece of music, it is obviously a chance for the band to show off its orchestral skills. And show them off, they do. The melodies in this piece are nothing short of excellent, and they will keep your attention from start to finish. Good stuff. \n\n-Big Wheels: Here we have another slow-paced and melodic ballad, with orchestral elements thrown in to keep things interesting. Many portions of this song reminded me of the stuff the Beatles recorded in their final days together, and that's a good thing (they WERE one of Lynne's biggest musical influences, after all!) I shouldn't have to tell you that this is an excellent song. \n\n-Summer And Lightning: Here's another piece that's nice and diverse. From start to finish, Lynne and company join forces and create another piece that is the perfect fusion of classical music and classic pop-rock stylings. The whole band shines here. \n\n-Mr. Blue Sky: And here we have one of the pieces on the album that likely requires no introduction or comments from me at all. Bright, optimistic pop-flavored rock is what the band gives its listeners here. This was a huge hit for the group, and being such an excellent and catchy song, it isn't hard to see why. \n\n-SIDE D- \n\n-Sweet Is The Night: The song that starts off the final of the four record sides that comprises this album is one of those songs that is the perfect cross of something poppy and something melodic. The song is very similar to the group's hit of the previous year, Telephone Line. However, the song is unique enough to hold its own. A damn good and severely underrated tune. \n\n-The Whale: Here's another instrumental. But, this one's different. It might just be the greatest Electric Light Orchestra instrumental of all! The band creates an electronic, symphonic art rock sound unlike anything they had ever created before, or would ever create again. And it sounds so different from any other popular band of the day. There are a lot of excellent tracks on this lengthy album, but this one definitely scores pretty close to the top. \n\n-Birmingham Blues: Straight-up pop-rock with the backing orchestral touch is what you get in this piece. Many portions of this song are reminiscent of other popular music acts of the day, but with Lynne's vocals and the backing musical arrangement, this is distinctly Electric Light Orchestra. You're probably getting tired of me saying "underrated track" so many times, but this is another one of them! \n\n-Wild West Hero: Electric Light Orchestra closes out this double-length album with a piece that would become one of their biggest hits. Pretty much everything the band does well, they do it in this song. There are many excellent songs by the group that must be heard in order to be appreciated, and this is one of them. It's worthy of its lofty status in the eyes of the band's fans. \n\nOverall, this is one of Electric Light Orchestra's many great albums. Although this is not my personal favorite by any means, there is no shortage of excellent music to be had here. Admittingly, some of the songs here seem like fillers in comparison to some of the more refined work here (one of the problems with doing a double LP), but when this album rocks, it rocks with the best of them. Pretty much every Electric Light Orchestra album is an excellent one, and it isn't hard to see why many a fan of the group has called this the band's magnum opus. Final verdict? This album more than does Jeff Lynne's legacy justice. HIGHLY RECOMMENDED! \n\nEDITION NOTES: \nThis album was only released once on CD in America, and sadly, it's a bare bones issue of the album - no bonus tracks, expanded liner notes, remastered sound, or anything of that sort. It did please me to see the double LP set condensed onto a single compact disc, though. I hope the record company reissues it, though, as a deluxe edition. Until then, you'll have to settle for this issue of the album. \n\nAMAZON.COM CUSTOMER REVIEW\nThe Mothership ELO, February 27, 2005\nReviewer: Alan Caylow (USA)\nThe Electric Light Orchestra were totally in their element when they released their classic 1977 double album, "Out Of The Blue." This is a super album with many great ELO tunes, and it successfully sustains itself for over 70 minutes without once ever lagging. Frontman Jeff Lynne came up with a great wealth of material for this one, including such classics as "Turn To Stone," "Sweet Talkin' Woman" and "Mr. Blue Sky," but also such gems as "It's Over," "Night In The City," the light piano funk of "Starlight," the rhythmic "Jungle," "Standin' In The Rain," the beautiful "Big Wheels," the dreamy instrumental "The Whale," and the rockin' "Burmingham Blues." The songs are all very catchy, the orchestral flourishes throughout are suitably lush, and the album's production is sparkly (and dig that album cover artwork, especially on the inside). There are those who say that "Out Of The Blue" is too over-the-top, i.e. that a double dose of ELO's symphonic pop-rock is a little too much to take. All I can say is this: either you like ELO or you don't. If you DO like ELO, than "Out Of The Blue" will fit the bill in your CD collection just fine. It's one of the band's greatest works, and I guarantee you'll love it. (NOTE: there's a tracking error on the "Out Of The Blue" CD, as the song "Standin' In The Rain," which should be track 10, has been mistakenly tacked on to the end of track 9, which is "Steppin' Out," so you'll have to cue up "Steppin' Out" and fast forward to the 4:39 mark if you want to immediately get to "Standin' In The Rain." Just thought you should know!) \n\nAMAZON.COM CUSTOMER REVIEW\nTripping on the slippery slope, October 13, 2004\nReviewer: William J. Eichelberger "I will not go quietly" (Ft. Thomas, KY)\nComing on the heels of two killer albums in Face The Music and A New World Record, Out Of The Blue was the album that formally introduced the masses to ELO, while making longtime fans ask just where it all was headed. Don't get me wrong, this is a great album, but in all of it's slick studio polish it the band loses some of it's charm. While not as disco influenced as the next album, Discovery, it shows an alarming and unfortunate tendency to sacrifice the band's "electric classical" approach for a more commercially slick sound loaded with synths. A pretty good album on it's own merits, but the old guard had a feeling something ill was being borne on the wind.\n\nAMAZON.COM CUSTOMER REVIEW\nPure AOR bliss..., September 19, 2004\nReviewer: Alan (Minnesota)\nRemember the double LP? If not chances are you are below 30. This album was released at a time when popular music was changing guard between disco and pop/punk, arguably in preparation for what would eventually become 80s new wave. Throughout it all album-oriented rock, the format that "built" FM radio, delivered a constant stream of anti-hits. ELO fired off this hail-Mary in tandem with an over-the-top concert tour (actual stage presence notwithstanding). \n\nUnfolding the oversized LP jacket to "Out of the Blue" and beholding the airbrushed album art while listening is something that will be lost to current listeners. However the music holds up well over time, especially to those who have, over the years, distanced themselves from listening to the gloomy mechanized banality of modern radio which has since lost its soul. \n\nAlso a plus for the CD: It is good to be able to listen to this album in the car without some of the songs fading out and back in while the 8-track switches. Don't get me started on the "reprise" (presumably done as filler for the 8-track format) of Shine a Little Love." \n\nAMAZON.COM CUSTOMER REVIEW\n"Definitive E.L.O.", March 28, 2004\nReviewer: "scratcher_tbp" (Mercerville, NJ USA)\nI would definately call this album the definitive E.L.O. Probably contains the most ever popular and/or charting singles released from the band. Had the 8Track cartridge, STILL have the double UA/Jet LPs! And since it wasn't so very long running time on the two LPs, nice that it's able to fit on a single CD. I kept wanting to start playing from "Concerto for a rainy day" (always played that vinyl side most actually..) but couldn't find it on cd, because eventually noticing there's a track/index marker missing here, that should be at end of "stepping out", so instead you get "stepping out" with a silence pause, and into "standing in the rain", making one long time total for stepping out, and throwing the number sequence off, the most obvious. I thought something was up when I advanced to get to "standing in the rain" but got "big wheels" instead. Was able to fix this and make my own new corrected disc. Has anyone else noticed this, or was it limited to certain pressing batches?\nThis CD is THE sound of E.L.O., also love the Time disc.. and of course you have to have "Greatest Hits"!\n\nAMAZON.COM CUSTOMER REVIEW\nJeff Lynne's masterpiece, March 19, 2004\nReviewer: native main-ah "steven_g" (Sedgwick, ME United States)\nYou know those desert island discs people talk about? Those top 10 lists? This CD is one of those for me.\nIn 1977, I was a teenager, just graduated from high school, working the lightweight job. ELO's previous album "A New World Record" was in the 8-track deck in the Pinto a lot. I adored everything about that project and like a lot of ELO fans anxiously awaited the next release. When I heard it was going to be a double album I was prepared for the worst. After all, how many double album packages were great? OK, the Beatles white album was pretty good but I was afraid Jeff Lynne would produce a mess like the John Lennon "Number 9" thing at the end of the white album. (OK, you can direct the hate mail to me.)\n\nBut I was not prepared when I went to the record store in 1977 and plopped down almost four hours wages at the time to buy the 8 track on the day of release. I didn't open it up then, I went immediately home and relaxed a bit, put on the headphones and listened. Holy moley! I listened again. And again. I remember I listened to it 6 times that night. I couldn't get over the fact that there was nothing wrong with this album. Starting off with the single "Turn To Stone" and ending with the fantasy "Wild West Hero" I couldn't find fault. I instantly thought "Sweet Talkin' Woman" was one of the finest singles ever. "Jungle" a song about ALL the world and its inhabitants having one big party, the four song "concerto", "The Whale" one of the finest songs with whales singing the lead. \n\nEach song evokes a different emotion and strong memories for me. This IS Jeff Lynne's masterpiece. I'd recommend buying a greatest hits package if you want ELO's biggies, but if you want to dig a bit deeper and get a sense of what a great composer and producer Jeff Lynne is (hey, he wasn't a "Traveling Wilbury" for nothing), then this 4 sided record on 1 CD is the to buy. Since that initial 8 track, I bought it on LP and now on CD, where it sounds as bright and crisp as the LP and of course 100 times better than the ol' 8 track. Where is that thing anyway?\n\nAMAZON.COM CUSTOMER REVIEW\nBeyond cultural artifact. . ., October 17, 2000\nReviewer: Middle America Electronica Fan (Fairway, KS United States)\n. . . and into the realm of, well, damned good pop music. This is a true story: I was a snot-nosed little Yes fan in the late 70s, but now and then I'd lower myself to something as vulgar as an ELO concert "just for something to do tonight." When this tour came to town, I had heard about the plastic flying saucer stage, and I have to admit, that kind of gave a me an attitude going in. And (this is the fun, hard-to-believe part)-- I had actual front row center seats (radio industry connection gave 'em to me.) Despite the in-your-face-oh-wow effect, I was pretty bored by the over-the-top, yet coldly overproduced show. (Shame, too, because I really liked their "New World Record" and "Face The Music" tours.) A decent show, I suppose, but probably I was too stupid and whiney to enjoy it.\nFlash forward 20+ years: (Another true story) -- I had purchased every cd I that I legitimately wanted, and found myself bored in a cd store. "Hmmmm. Let's pick the worst, most bad taste cd we can think of, and go home and laugh at it." Mean, no? Here's the fun part: I bought "Out of the Blue," took it home, played it, and immediately LOVED IT! I proceeded to go out and buy almost every cd in ELO's backlog (all of them from their second album to "Balance of Power,") and there's really something great going on here. Time has been very, very kind. [And their album "Time" is quite fun, too.] Two months later this showed up in Q Magazine's "What We're Listening To," column. Could it be that ELO is becoming hip again? Honestly, do yourself a favor. Buy now. It's like eating a can of chocolate frosting in one sitting. A genuine, delicious guilty pleasure. PS: This pressing needs remastering desperately. The cheapo packaging kind of sucks, too. If anyone knows of a Masterdisk cd pressing for sale, or a remastered version, please e-mail me. Hope you enjoy this disc as much as I do!
This rock cd contains 17 tracks and runs 70min 25sec.
Freedb: fb107f11
Buy: from Amazon.com

Categories

Latest lists

Electric Light Orchestra: Out Of The Blue CD Track Listing

Category

Tags

cyList

Legal