Eurythmics: Savage (Remastered + Expanded) CD Track Listing

A list by checkmate

Eurythmics Savage (Remastered + Expanded) (1987)
Savage (Remastered + Expanded)\n2005 RCA/Sony/BMG\n\nOriginally Released November 1987\nCD Edition Released November 1987\nRemastered + Expanded CD Edition Released November 15, 2005 \n'Boxed' 8CD Collection Released in UK + Europe November 14, 2005\n'Boxed' 8CD Collection Released in USA November 21, 2005\n\nAMG EXPERT REVIEW: If Revenge, Eurythmics' fifth album, marked a slight fall-off in the group's commercial and artistic accomplishments, Savage, their sixth collection, confirmed that decline. In the U.S., the album failed to generate a substantial hit single and sold poorly compared to previous efforts. In the more faithful U.K., the album hit the Top Ten and spun off four chart singles, but none that matched earlier hits. Musically, Eurythmics, for the most part, abandoned the more conventional pop/rock they recently had been pursuing, returning to the synthesized dance music and arch tone of their early hit "Sweet Dreams (Are Made of This)." But they still seemed less inspired than before. \n\n[The 2005 reissue features remastered sound and bonus tracks that originally appeared on singles, as well as two previously unreleased tracks: a live version of "I Need You" and a cover of the Beatles' "Come Together."] -- William Ruhlmann \n\n\nAMAZON.COM CUSTOMER REVIEW ('Boxed')\n"Deluxe" is the word, December 14, 2005 \nBy Philip A.Cohen (Bay Harbor Islands, Florida United States)\nAfter 26 months of cancelled release dates, the expanded/remastered Eurythmics CD series is finally here, and for those of you who want all 8 titles, the UK/Europe "Boxed" set is the cheapest way to get them. The CDs more than live up to expectations, with excellent sound, three-panel cardboard packaging (each with a side pocket for an attractive and informative booklet), and a very sturdy outer box. The bonus tracks are a combination of non-L.P. b-sides, original 12" dance remixes by the artists themselves, some unreleased songs & versions (including cover versions of tracks by Lou Reed, Thunderclap Newman, The Doors, The Beatles & French Chanteuse Francoise Hardy), and 2 later 1990's re-mixes by independant remixers (they're not bad). Unless you were an avid collector of the group's UK 7", 12" & CD singles, all of the bonus material will be new to your collection. However, these discs (packed as they are with bonus tracks) only get about half of the group's vinyl-only songs and versions onto CD. Presumably, there will be some future archival box to get the remaining tracks onto CD. Amazon.com seems to be having exceptional difficulty obtaining or supplying this set to customers, but let there be no doubt: it was released in the UK & Europe November 14,2005, and widely advertised in UK music magazines by the manufacturer (BMG/Sony), whose advertisements specifically stated a Nov.14,2005 release date. If you can't get it here, then try record stores in England (as I did). The set is worth your extra effort to obtain it. Amazon was asking me to approve a second shipping postponement (until late January 2006). I declined, and obtained the set quite easily elsewhere. Amazon did some strange things, pretending that the set hadn't been released, temporarily removing customer reviews of the set, and stopping the marketplace merchants from offering the set (as they had been). \n\nAMAZON.COM CUSTOMER REVIEW ('Boxed')\nNice but something is missing, January 6, 2006 \nBy Danielik (Paris, France)\nThe box is very nice and I agree with other positive comments on Amazon. However, I want to stress my deception in seeing that "1984 - For the love of big brother" is NOT included in the box. It is a wonderful album (released under a different label) and certainly I expected to find it in such a collection. \n\nAnother missing point is: lyrics. At the time, all vynil LPs included printed lyrics, while now in the CD jacket there is just a leaflet with photos and historical comments. \n\n\nAMAZON.COM CUSTOMER REVIEW\nWOW..is all that can be said....., December 2, 2005 \nBy Damon Devine (Los Angeles, CA United States)\nThis is Annie Lennox's favorite Eurythmics album and it is clear to see why. It is deeply personal and beautifully put together. The unheard track, 'Come Together' is EXCELLENT and has a whole new slant, when given Eurythmics magical touch. I am profoundly annoyed by some of the tedious complaints in some of the reviews below. "J. Brady" is considerably jaded it seems, and "Dennis Dunigan II" insatiable, if not ungratful. There are only so many tracks that can be stuffed into one CD! As a Eurythimcs collector of 22 years, I am thrilled that these non-U.S. old b-sides are now available to us and remastered, at that! As well, most all of the extended versions that we all had on "12 vinyl in our storage closets, will not have to be taken out and dusted off, because we have them here, with excellent sound quality! So, not EVERY Eurythmics song ever created is included on these new remasters. It is a thrill to have a staggering 44 bonus tracks, countless unseen photos in the liner notes (from the original negatives) and all of the songs so dear to some of us, beautifully remastered. \n\n\nAMAZON.COM CUSTOMER REVIEW\nEurythmics' Grand Experiment, December 1, 2005 \nBy DAJ (New York, NY)\nAs others have said, this was Eurytmics' return to experimental technopop. After the motown-influenced "Be Yourself Tonight" and Arena-rock "Revenge," it was surprising to see them return to synths and drum machines for this album--with fantastic results. It was one of my favorites from the very beginning--starting with the superb single "Beethoven" and its accompanying video. I agree with what was said below about a reissue of the video album on DVD. Eurythmics were one of the best video artists of the 80's, and it would be great to see this released. \n\nAnnie tries out a lot of different vocal moods on this album, from speak-singing in "Beethoven," to cool pop-soul vocals on "I've got a Lover Back in Japan," to bruised torch singing on "Savage," to a blues wail on "I need a Man." And Dave comes up with the right musical backdrop for all of it. At a time when they could have taken it easy, and repeated the massive success of "Revenge," they chose to experiment, and do something new. \n\nThis experimentation means that it will not be a favorite of everyone. But for those who are fans of Sweet Dreams and Touch, Savage should prove very satisfying. These three albums are, in my opinion, Eurythmics at their best. \n\n\nAMAZON.COM CUSTOMER REVIEW\nTake Me To The Desert Where There Has To Be A Whole Heap Of Nothing For You And Me., November 27, 2005 \nBy Jason Stein (Chula Vista, CA United States) - See all my reviews\nWhen "Savage" was released in December 1987, I had already seen the video for "Beethoven (I Love To Listen To)" and "I Need A Man". After "Revenge" I was beginning to wonder where the Eurythmics would go next. I was very happily surprised when I found they went back to their electronic roots. Yet, "Savage" seems like their most technologically advanced and sophisticated album. It felt like their edgiest work both musically and lyrically, and it became my favorite Eurythmics album. \n\nI'll admit that "Beethoven (I Love To Listen To)" was an unlikely first single, and it still is one of their most bizarre songs, and the video was perfectly disturbing. There were no hits from this cd and for good reason, radio wasn't ready. That's not to say that this album was lacking in memorable melodies, but the content was perhaps the darkest in the Eurythmics catalogue. Broken relationships was the main theme here with the brilliant, should-have-been-a-hit-single "I've Got A Lover (Back In Japan)", the awkward "Do You Want To Break Up?", the emotionally stirring third single "You Have Placed A Chill In My Heart" which probably failed to crack the top 40 because of it's ill-timed release in May 1988, just in time for the summer. "Shame" is a beautiful track. The title track is another strange entry in the Eurythmics canon, a vindictively whispered tale. "I Need A Man", the second single, is a great tirade about what kind of man makes a quality man. "Put The Blame On Me" is more of a disco track followed by the relaxing, meditative almost instrumental "Heaven". "Wide Eyed Girl" is again more disco sounding followed by the album closers "I Need You", the only acoustic track here and "Brand New Day" which should have been a hit single. \n\nAs is the norm for this remastered series, Dave Stewart tended to the remastering job which is excellent. The b-sides are just okay. "Beethoven (Philharmonic Version)" is just an instrumental orchestrated version of the original which is okay, but nothing special. "Shame (Dance Mix)" and "I Need A Man (Macho Mix)" are interesting reinterpretations of the originals. "I Need You (Live)" is okay. Their cover of The Beatles' "Come Together" is also interesting, but not very special. \n\nAgain, no lyrics included here, but the liner notes and additional photographs of the time are good. I found that "Savage" is also Annie's favorite album as well. I think of this recording as a test for true Eurythmics fans. If you found this to be their best work, you must truly love the Eurythmics. The same cannot be said of their next release, "We Too Are One". I think it would have been nice to include the Annie Lennox/Al Green 1988 cover of "Put A Little Love In Your Heart" from the "Scrooged" soundtrack right following "Brand New Day". It would have fit nicely I think. \n\n\nAMAZON.COM CUSTOMER REVIEW\nSlightly Dated , November 16, 2005 \nBy J. Brady (PAWLEYS ISLAND, SC United States)\nIf nothing else "Savage" is a welcome return to the classic Eurythmics electronic sound. After the faux-soul leanings of "Be Yourself Tonight" and "Revenge" I thought it was high time Annie and Dave got back to what they do best: chilly electronics combined with rich gospel-influenced vocals. Rather like Yazoo did so well in the early eighties. Having heard this cd for the first time in many years, in its newest remastered form, I can only offer one thought. It has that unmistakable stamp of the late eighties on it. The songs themselves are great. Lots of hooks and gorgeous vocal melodies. But with that comes lots of Synclaviar sounds and sampled drums that sound like bashing on a dustbin lid ( although the liner notes assure us they are in fact Dave Stewart and Conny Plank tapping on pieces of bamboo.) The remixes offered up as bonus tracks hardly fare any better. The live version of "I Need You" is superfluous, as the regular album version is acoustic anyway, and sounds live ( I am inclined to think, however, that the audience chatter has been dubbed in.) Whereas other Eurythmics albums sound like they could have been made just yesterday, "Savage" suffers slightly from a dated sound. \n\n\nAMAZON.COM CUSTOMER REVIEW\nFan Favorite, October 23, 2004 \nBy Dennis Dunigan II (Indiana)\nThis Is A Amazing Album By The Eurythmics, Packed With Lots Of Fun And Funky Dance Beats Full Of Rich Textures And Moody Atmosphere. The Bonus Tracks Are A Great Addition To This Newly Re-Mastered Album, But A Couple Of Key Tracks Are Missing From This Updated Version. \n\n1. You Have Placed A Chill In My Heart. (Single Remix Version) \n2. Ooh Baby Baby(Unknown Title) As Heard At End Of 'Savage' Video Album. \n\nThese Song Should Have Also Been Included. Lets Hope They Will Appear On A Rarities Set. \n\n\nAMAZON.COM CUSTOMER REVIEW\nLove Song Psychosis: A Dark Masterpeice, July 28, 2006 \nBy Gary F. Taylor "GFT" (Biloxi, MS USA)\nWorking primarily with synthesizers, Eurythmics was always an edgy band, with dark lyrics and Annie Lennox's rich alto playing off against David Stewart's danceable beats and slick and glittering instrumentals. Although their 1981 IN THE GARDEN was not a success, the 1983 SWEET DREAMS ARE MADE OF THIS exploded the duo to both critical acclaim and international stardom, and they would remain among the best known and most original musical artists of the 1980s. \n\nFor the 1987 SAVAGE, Lennox and Stewart--always experimenters--built their songs from percussion sound loops created by drummer \nOlle Romo, and the resulting sound was even edgier than usual. When combined with some of the darkest lyrics and musical attitudes imaginable, SAVAGE proved too extreme for Eurthymics fans and general listeners; it was only mildly successful in England and Europe and even less successful in the United States. It was not Eurythmic's last release, but it did mark a distinct turn in the band's fortunes; Lennox and Stewart would release only one more album before separating for a decade. \n\nIn a certain sense, SAVAGE could be called a concept album, for it offers a series of songs that can be read as a portrait of a woman's disintegration in the wake of a sour love affair. Opening with "I Love To Listen To Beethoven," an acid sampling of predatory cocktail conversation, the line up continues with the fantasy-like "I've Got A Lover (Back In Japan)" and then suddenly detonates with "Do You Want to Break Up?" Each of the subsequent songs ravels the thread of frustration, anger, and fury of love and sex gone wrong to the point of insanity. \n\nThe most famous song in the collection is "I Need A Man" in which Lennox adopts the persona of man-hungry tease who screams and howls like an animal in heat--and then at the last moment rejects the man she has presumably attracted. But perhaps the most telling song of the set is "I Need You," which (unlike the other cuts) is performed to a simple guitar accompaniment with the sounds of party-chatter in the background: the hunger for love is openly, sharply self-destructive to the point of true psychosis. It is frightening stuff, and although the albums ends with the considerably brighter "Brand New Day," the aura of darkness is never quite overcome. \n\nMany music critics have described SAVAGE as feministic. Well, perhaps; I tend to interpret it as a series of meditations on stereotypes of emotional hysteria--and a supremely effective one at that, poisonous, venomous, desperate, and both hypnotic and hypnotically chilling. SAVAGE is all that the title implies. It will also be as difficult for casual listeners to take today as it was in 1987, for time has not diminished the sense of disquiet it creates. Strongly recommended, but brace yourself for one wild ride. \n\nSAVAGE has recently been released in a remastered edition which includes several bonus cuts: an extended instrumental remix of "Beethoven (I Love To Listen To)," remixes of "Shame" and "I Need A Man," a previously live performance of "I Need You," and a previously unreleased cover of The Beatles' "Come Together." They all have their attractions, and fans will enjoy them, but SAVAGE easily stands on its own, so you shouldn't think of them as part of the package per se. \n\n\nAMAZON.COM CUSTOMER REVIEW\nA Savagely Overlooked Masterpiece, October 20, 2004 \nBy D. Aaron Howard "rawherbivore" (San Diego, CA)\nOn their previous album Revenge, the Eurythmics stripped down their sound and their sense of adventure. For Savage, Annie and Dave make a bold move into eclectic heaven. This is the closest they would ever get to a concept album, and only the fans really got it. Critics dismissed it as a misdirected, hodgepodged mess; American radio listeners didn't connect with the rawness and experimental nature of the lead off singles "I Need A Man" and "Beethoven (I Love to Listen to)"; but for those of us they "got" the Eurythmics, this was the best of their efforts. \n\nOn Savage, the music sounds like Annie & Dave are really having fun. The skepticism and bitterness is still there, but they don't take themselves too seriously. In some ways, Savage is a parody of the romantic love songs that dominated the airwaves in the 80s; and, unlike many albums of this era, these artists are all over the map. They bring back their Euro Dance sound on songs like "Beethoven" and "Heaven"; they rock out on "I Need A Man" and "Wide Eyed Girl"; and Annie delivers some of her best vocal talents since "It's Alright (Baby's Coming Back)" on the classic "You Have Placed A Chill In My Heart." \n\nWhat really makes this album special, however, is the raw nature of the music, the lyrics and Annie's voice. The three work together to produce an exposed, vulnerable woman (and Annie is certainly the centerpiece on this album). Illusions of fame and fashion are shattered with bitter truths and "Shame." Dave's production may be big here, but it never undermines the depth of Annie's delivery. In fact, the synthesis of the two help create the irony that makes this album work. For those who "get it," it will remain a hidden treasure that the rest of the world will never find. \n\n\nAMAZON.COM CUSTOMER REVIEW\nI was bitter when I met you..., September 1, 2004 \nBy Philip (New York)\n"I was bitter when I met you I was eloquent with rage. Like honey from a poison cup I flung from stage to stage." \n\nSavage is hands-down the best Eurythmics ever. Add it to your cart NOW!!!!! \n\n\nAMAZON.COM CUSTOMER REVIEW\nHarrowingly beautiful, June 27, 2003 \nBy Jeff Gould (Los Angeles, CA)\n\nYears before Annie Lennox became a solo superstar, she and Dave Stewart released this dark and beautiful album from the leftfield. Savage was pretty much ignored in the US but over the years, it came to be regarded by many Eurythmics fans as the duo's best album, and Dave Stewart himself declared it to be his all-time favorite Eurythmics project. Yet Savage is an album that is hard to embrace on its surface. Coldly electronic for the most part and emotionally bipolar, Annie Lennox was clearly keeping her audience at arm's length even as she bared her soul through some of the most harrowing lyrics she ever wrote. If the music was distancing, Lennox's persona was even more so. Playing her sexual politics to a hilt behind a persona that blurred gender lines more aggressively than ever, Annie Lennox seemed not to care what the fans or critics thought. When the video for I Need A Man played on MTV, a collective "huh?" could be heard as few recognized the blonde vamp with pouting cleavage in the video to be her. The most subversive moment in the video came when, for just a moment, the wig was knocked slightly askew and you were made to wonder whether she was vamping it or playing a drag queen. "Is it my turn? You want me to sing now? OK..." Little did you know she was inviting you into a private drag show. Musically, Savage is equally bold and aggressive, the greatest showcase of the fire-and-ice creative tension of Eurythmics' two members. Mostly electronica, the album will surprise you by cutting into hard rock or neo-disco, then abruptly stripping down to guitar and voice. Admittedly all of this is too bewildering, bipolar and eclectic for most people to appreciate. But if you're willing to take risks and plumb the depths with Dave and Annie, you'll be richly rewarded. \n\n\nAMAZON.COM CUSTOMER REVIEW\nAnnie's "art therapy", October 3, 2001 \nBy Chris Mosher\nYes, this IS a concept album, but I do not think that too many people understand what the concept really is. Annie Lennox is a Buddhist. Buddhism is all about trying to balance out dual extremes (dual opposites) by trying to find the middle ground. The middle ground (once you get there) is what is called "Nirvana." So, my perspective is that Annie is trying to say that many women, including herself, feel trapped into having to be either one of two extremes: a boring housewife or a wild oversexual "savage." This shows in the video for "You Have Placed a Chill in My Heart" where she is right in the middle of these two extremes and blows them away to show that she is perfectly content to just be "herself."\nAside from the philosophy, the music in this album is their best. It is immensely disappointing that this album did not receive better attention from the public. "I Need a Man" is sexier and more powerful than anything Madonna could ever have done (and with better taste). At the end of thier "Revenge" days, people were thinking that Eurythmics had lost their uniqueness and avant-garde approach. Savage was a pleasant renewal of their great weirdness that made them known as true artists in the first place. "Beethoven" sets the stage perfectly for the character sketch of a tortured woman grappling with which identity to *choose* so that she will feel more worthy and alive. Personality #1 seems jealous of "a girl like THAT...in a natural setting....like a cafe for example"......while subconscious memories of childhood desires (as symbolized by the little girl in the video) lurk in the fabric. \nI have always loved Eurythmics for their edginess and humanity. "Savage" is just brilliant. \n\n\nAMAZON.COM CUSTOMER REVIEW\nEurythmics Finest Hour, October 29, 2000 \nBy Robert Thompson (East Yorkshire, United Kingdom)\n\nThis CD has a fairly unique legacy. It is probably the CD that most Eurythmics fans would say is their favourite yet it was the least successful (with the exception of "In the Garden") the band were to release.\nThe CD was released after Dave & Annie rocked the world with the "Revenge" CD. That CD was full of guitar and horn driven rock numbers and ballads. Exciting but not ground breaking. Most people were probably expecting more of the same. Instead they got "Savage" which could not have been more different. This CD was electronic and original. Dave has stated that the album in some ways was Annie's first solo project as she worked through a great many issues in the lyrics. The videos to focused mainly on Annie with Dave rarely appearing.\n\nDespite rave reviews for the music and the videos the CD did poorly. One single "Shame" actually failed to enter the British top 40. As if shocked by the poor performance of the CD Dave and Annie began to perform some of the tracks acoustically which I felt did them no justice at all. In the end "Beethoven", "Shame", "I Need a Man" (Great performance & stunning video) and "You have Placed a Chill in my Heart" were all released as singles. \n\nDave and Annie tried to return to the succesful formula of "Revenge" with the "We TOO are One" follow up to "Savage". ALthough this was more succesful "Savage" remains Dave & Annie's finest hour. Original and ground breaking. Do yourselves a favour and have a listen. \n\n\nAMAZON.COM CUSTOMER REVIEW\nThe definitive Eurythmics album, October 27, 1999 \nBy Alex (New York, NY USA)\nSavage is the definitive Eurythmics album and one of the high points of the 80's for this reviewer. Coming on the heels of two rather conventional rock-and-soul albums, Savage marked a return to the duo's experimental synth origins, taking the musical form that they commanded so effortlessly to new heights of creativity. Yet the bleak (some would say oblique) and dark subject matter had the effect of alienating mainstream listeners, even though the songs were the best they ever crafted. The album veers between bitter introspection over a failed relationship and angry ranting that is sometimes generalized to all men (such as on the ironically titled I Need A Man). A couple of tracks border on hysteria, like Beethoven and Do You Want to Break Up, which sound like nervous breakdowns in progress. The inaccessibility of the style and subject matter meant that only the truest of Eurythmics fans would remain devoted to this album.\n\nAsk fans why they like this album and you'll get a bunch of responses: It's deep, hypnotic electronic grooves (as on the gorgeous, minimalist Heaven); the stunning "wall of sound" feel of the songs (notably Shame, their finest single ever); the angry, searing lyrics; and especially the subtly subversive and utterly compelling music videos, like I Need A Man, in which Annie Lennox, grotesquely tarted up, seems to parody a transvestite, self-consciously lip synching to her own song like in a drag show. (Think about it: she's playing a man playing a woman!)\n\nIncidentally, the most compelling photographs of the icily beautiful Lennox come from this era - her tranny phase. A number of photos from the Savage sessions were published in Alistair Thain's collected works - a coffee table photography book with Lennox on the cover that is sadly out of print (I could kick myself for not shelling out the $70 for it when I saw it in L.A. years ago). The book includes interesting commentary about the photo sessions. Thain reveals that he himself is the photographer lurking in the shadows of Sophie Muller's melancholy video for Savage, while Muller's cam was intended to be a voyeuristic participant of the session.\n\nFor this reviewer, though, it will always be one thing that draws me again and again to this album: That Voice. Lennox's glorious alto in the 90's is sounding more worn (yet somehow richer), but back in 1987 it was in peak form, capable of dizzying highs and elegant vocal pirouettes, R&B belting and straight folk singing. Like Eurythmics' music, her voice defies categorization and typecasting. A profound paradox of Savage is that Lennox delivers one of her most soulful performances in one of the finest synth-rock albums ever made (listen, for instance, to You Have Placed A Chill In My Heart and tell me that is not the sound of a soul singer). Her voice is compelling even when she is not singing (like during the bridge of the gorgeous half-sung, half-spoken Heaven, in which every line is incomplete as if the singer was trailing off into a oblivion of ecstasy only she can feel). But enough rhapsodizing. Get this album for yourself. \n\n\nHalf.com Details \nProducer: Dave Stewart \n\nAlbum Notes\nEurythmics: Annie Lennox, David A. Stewart.\n\nAdditional personnel: Olle Romo (programming).\n\nEngineers: Fred DeFaye, Alan Moulder, Manu Guiot.\n\nRecorded at Chateau Dangu, Normandy, France.\n\nEurythmics: Dave Stewart, Annie Lennox.\nRecording information: 1987.\n\nAnnie Lennox, the visual chameleon puts another face on; this time she is a blonde Barbie. Under the covers she is very much the familiar voice that became one of the most listened to throughout the 80s. This came towards the end, and as such is not the usual greatest hits package that many of their regular albums sounded like. Stewart was beginning to experiment with electronic sound (again) as Lennox seemed to want to sing more. In "I Need A Man," Annie sings of the type of man she does not want. In "Shame" she mourns nostalgia, while in "Savage" there is sadness, bitterness and anger. This sounds like it was a difficult album to make.\n\nIndustry Reviews\n3 Stars - Good\n\n\nROLLING STONE REVIEW\nThese are the dreams of the everyday housewife -- well, at least the dreams of the everyday schizophrenic housewife. The latest opus from Annie Lennox and David A. Stewart (working as a duo again after a couple of albums in which they used outside musicians) goes a few steps beyond the themes of Bruce Springsteen's Tunnel of Love, moving into the world of domestically induced insanity. More or less a concept piece in two discrete parts, Savage is a series of sometimes harrowing portraits that represent an abrupt shift from Eurythmics' equally intense but more user-friendly recent work.\n\nSide one goes inside a mind twisted by the confusion of a stifling relationship. Lennox's characterizations are often chilling, especially as she chirps the title line of "Do You Want to Break-Up?" with all the sweet innocence of a love-struck teen asking someone to go steady, while Stewart plays appropriately light, spare synth pop.\n\nOn side two, Lennox's split personality gets its acts together. On "I Need a Man," she's a female Mick Jagger drawling cock-tease lines over Stewart's Keith Richard-like guitar; on "Put the Blame on Me" and "Heaven," she's a cooing disco diva; and on "I Need You," she becomes an acoustic singer-songwriter longing for emotional abuse ("I need someone to pin me down so I can live in torment"). On the whole, the second side is more muddled musically and lyrically than the hypnotic first, and the it-was-all-a-dream resolution (the multilayered vocal showcase "Brand New Day") seems a bit trite -- the heroine walks out, head held high. Still, this unsettling story makes another distinctive entry in the Eurythmics catalog. (RS 518 -- Jan 28, 1988) -- \nSTEVE HOCHMAN
This rock cd contains 17 tracks and runs 70min 46sec.
Freedb: 04109411
Buy: from Amazon.com

Categories

Latest lists

Eurythmics: Savage (Remastered + Expanded) CD Track Listing

Category

Tags

cyList

Legal