Jethro Tull: Aqualung CD Track Listing

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Jethro Tull Aqualung (1973)
Originally Released April 1971\nCD Edition Released 1987\nRemastered Edition 25th Anniversary Released June 25, 1996\nGold CD Released June 9, 1997\n\nAMG EXPERT REVIEW: Released at a time when a lot of bands were embracing pop-Christianity (a la Jesus Christ Superstar), Aqualung was a bold statement for a rock group, a pro-God anti-church tract that probably got lots of teenagers wrestling with these ideas for the first time in their lives. This was the album that made Jethro Tull a fixture on FM radio, with riff-heavy songs like "My God," "Hymn 43," "Locomotive Breath," "Cross-Eyed Mary," "Wind Up," and the title track. And from there, they became a major arena act, and a fixture at the top of the record charts for most of the 1970s. Mixing hard rock and folk melodies with Ian Anderson's dour musings on faith and religion (mostly how organized religion had restricted man's relationship with God), the record was extremely profound for a number seven chart hit, one of the most cerebral albums ever to reach millions of rock listeners. Indeed, from this point on, Anderson and company were compelled to stretch the lyrical envelope right to the breaking point. As a compact disc, Aqualung has gone through numerous editions, mostly owing to problems finding an original master tape when the CD boom began. When the album was issued by Chrysalis through Columbia Records in the mid-1980's, the source tape was an LP production master, and the first release was criticized for thin, tinny sound; Columbia remastered it sometime around 1987 or 1988, in a version with better sound. Chrysalis later switched distribution to Capitol-EMI, and they released a decent sounding CD that is currently available. Chrysalis also issued a 25th anniversary edition in 1996. -- Bruce Eder\n\nAmazon.com Editorial Review\nAfter veering sharply from the blues inluences of their debut, This Was, Jethro Tull's sound quickly coalesced around jazz-tinged English folk influences and the antics of frontman/flautist Ian Anderson. But it was guitarist Martin Barre's swaggering riff off the title track of the band's fourth album that would become Tull's indelibly clich

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