Al Bregman: demonstrations of auditory scene analysis CD Track Listing

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Al Bregman demonstrations of auditory scene analysis
This misc cd contains 43 tracks and runs 65min 59sec.
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: Music

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: music songs tracks misc Educational

1. Al Bregman - Stream segregation in a cycle of six tones (00:49)
2. Al Bregman - Pattern recognition, within and across perceptual streams (01:18)
3. Al Bregman - Loss of rhythmic information as a result of stream segregation (01:24)
4. Al Bregman - Cumulative effects of repetition on streaming (01:23)
5. Al Bregman - Segregation of a melody from interfering tones. (01:31)
6. Al Bregman - Segregation of high notes from low ones in a sonata by Telemann (00:49)
7. Al Bregman - Streaming in East African xylophone music (01:32)
8. Al Bregman - Effects of a difference between pitch range of the two parts in East African xylophone music (00:58)
9. Al Bregman - Effects of timbre difference between the two parts in African xylophone music (01:02)
10. Al Bregman - Stream segregation based on spectral peak position (00:47)
11. Al Bregman - Stream segregation of vowels (01:19)
12. Al Bregman - Effects of connectedness on segregation (01:03)
13. Al Bregman - The effects of stream segregation on the judgment of timing (01:15)
14. Al Bregman - Stream segregation of high and low bands of noise (00:46)
15. Al Bregman - Competition of frequency separations in the control of grouping (02:13)
16. Al Bregman - The release of a two-tone target by the capturing of interfering tones (01:33)
17. Al Bregman - Failure of crossing trajectories to cross perceptually (02:47)
18. Al Bregman - Isolation of a frequency component based on mistuning (01:38)
19. Al Bregman - Fusion based on common frequency modulation - Illustration 1 (01:02)
20. Al Bregman - Fusion by common frequency modulation - Illustration 2 (00:53)
21. Al Bregman - Effects of rate of onset on segregation (01:00)
22. Al Bregman - Rhythmic masking release (02:40)
23. Al Bregman - Sine-wave speech (00:46)
24. Al Bregman - Role of frequency micro-modulation in voice perception (02:21)
25. Al Bregman - Capturing a tonal component out of a mixture. Part 1 (01:40)
26. Al Bregman - Capturing a tonal component out of a mixture. Part 2 (01:23)
27. Al Bregman - Competition of sequential and simultaneous grouping (02:33)
28. Al Bregman - Apparent continuity: Tone interrupted by a noise, with increasing noise amplitude (01:08)
29. Al Bregman - Perceptual continuation of a gliding tone through a noise burst (01:47)
30. Al Bregman - Absence of pitch extrapolation in the restoration of the peaks in a rising and falling tone glide (02:37)
31. Al Bregman - The picket-fence effect with speech (01:26)
32. Al Bregman - Homophonic continuity and rise time (00:55)
33. Al Bregman - Creation of a high-pitched residual by capturing some harmonics from a complex tone (01:37)
34. Al Bregman - Capturing a low band of noise from a wider band leaving a high band as a residual (01:15)
35. Al Bregman - Perceptual organization of sequences of narrow-band noises (01:53)
36. Al Bregman - Capturing a component glide in a mixture of glides (03:38)
37. Al Bregman - Changing a vowel's quality by capturing a harmonic (02:58)
38. Al Bregman - Streaming by spatial location (01:07)
39. Al Bregman - Spatial stream segregation and loss of across-stream temporal information (02:22)
40. Al Bregman - Fusion of left- and right-channel noise bursts, depending on their independence (01:43)
41. Al Bregman - Effects of a location difference of the parts in East African xylophone music (01:12)
42. Al Bregman - Loudness calibration pattern for playback volume (00:44)
43. Al Bregman - Stereo calibration for left-right balance (00:46)