Audio Engineering Society: Perceptual Audio coders: What to listen for CD Track Listing

A list by checkmate

Audio Engineering Society Perceptual Audio coders: What to listen for (2001)
This misc cd contains 98 tracks and runs 55min 53sec.
Freedb: e50d1762
Buy: from Amazon.com

Category

: Music

Tags

:


Music category icon, top 100 and cd listings
  1. Audio Engineering Society - Castanets original (00:09)
  2. Audio Engineering Society - Castanets Coded (00:09)
  3. Audio Engineering Society - Quartet Original (00:12)
  4. Audio Engineering Society - Quartet with aliasing introduced (00:12)
  5. Audio Engineering Society - Flute uncoded (00:20)
  6. Audio Engineering Society - Flute with a wavelet-filter of length 4 (00:19)
  7. Audio Engineering Society - Flute with a wavelet-filter of length 40 (00:19)
  8. Audio Engineering Society - Glocken original (00:10)
  9. Audio Engineering Society - Glocken lowpass-filtered at 12 kHz (00:09)
  10. Audio Engineering Society - Glocken lowpass-filtered at 8 kHz (00:09)
  11. Audio Engineering Society - Glocken lowpass-filtered at 4 kHz (00:10)
  12. Audio Engineering Society - Funky Original (00:09)
  13. Audio Engineering Society - Funky lowpass-filtered at 12 kHz (00:09)
  14. Audio Engineering Society - Funky lowpass-filtered at 8 kHz (00:09)
  15. Audio Engineering Society - Funky lowpass-filtered at 4 kHz (00:09)
  16. Audio Engineering Society - 440 Hz + 4 Harmonics (00:12)
  17. Audio Engineering Society - 440 Hz Hz without 1320 Hz tone (00:12)
  18. Audio Engineering Society - 440 Hz wiht time-varying 1320 Hz tone (00:12)
  19. Audio Engineering Society - Gilmour original (00:06)
  20. Audio Engineering Society - Gilmour slightly distorted decoded signal (00:06)
  21. Audio Engineering Society - Gilmour clearly distorted decoded signal (00:06)
  22. Audio Engineering Society - Gilmour severely distorted decoded signal (00:06)
  23. Audio Engineering Society - Gilmour original bandlimited to 8 kHz (00:06)
  24. Audio Engineering Society - Gilmour almost birdies free (00:06)
  25. Audio Engineering Society - Gilmour slightly worse decoded signal (00:06)
  26. Audio Engineering Society - Gilmour severealy distorted signal (00:06)
  27. Audio Engineering Society - Male speech Original (00:18)
  28. Audio Engineering Society - 2048 Filter Bank Bands, Processed (0 dB) (00:19)
  29. Audio Engineering Society - 2048 Filter Bank Bands, Processed (-3 dB) (00:19)
  30. Audio Engineering Society - 2048 Filter Bank Bands, Processed (-6 dB) (00:19)
  31. Audio Engineering Society - 2048 Filter Bank Bands, Processed (-9 dB) (00:19)
  32. Audio Engineering Society - 1024 Filter Bank Bands, Processed (0 dB) (00:19)
  33. Audio Engineering Society - 1024 Filter Bank Bands, Processed (-3 dB) (00:19)
  34. Audio Engineering Society - 1024 Filter Bank Bands, Processed (-6 dB) (00:19)
  35. Audio Engineering Society - 1024 Filter Bank Bands, Processed (-9 dB) (00:19)
  36. Audio Engineering Society - 512 Filter Bank Bands, Processed (0 dB) (00:19)
  37. Audio Engineering Society - 512 Filter Bank Bands, Processed (-3 dB) (00:19)
  38. Audio Engineering Society - 512 Filter Bank Bands, Processed (-6 dB) (00:19)
  39. Audio Engineering Society - 512 Filter Bank Bands, Processed (-9 dB) (00:19)
  40. Audio Engineering Society - 256 Filter Bank Bands, Processed (0 dB) (00:19)
  41. Audio Engineering Society - 256 Filter Bank Bands, Processed (-3 dB) (00:19)
  42. Audio Engineering Society - 256 Filter Bank Bands, Processed (-6 dB) (00:19)
  43. Audio Engineering Society - 256 Filter Bank Bands, Processed (-9 dB) (00:19)
  44. Audio Engineering Society - Male Speech Original (00:18)
  45. Audio Engineering Society - Coded with 1024 subbands (00:18)
  46. Audio Engineering Society - Probe in-phase, probe level 9 dB below masker (00:13)
  47. Audio Engineering Society - Probe in-phase, probe level 6 dB below masker (00:13)
  48. Audio Engineering Society - Probe out-phase, probe level 9 dB below masker (00:13)
  49. Audio Engineering Society - Probe in-phase, probe level 6 dB below masker (00:13)
  50. Audio Engineering Society - Original stereo applause sound exerpt (00:14)
  51. Audio Engineering Society - Intensity stereo coded starting from 6 kHz (00:14)
  52. Audio Engineering Society - Intensity stereo coded starting from 4 kHz (00:14)
  53. Audio Engineering Society - Intensity stereo coded starting from 2 kHz (00:14)
  54. Audio Engineering Society - Intensity stereo coded starting from 1 kHz (00:14)
  55. Audio Engineering Society - Original stereo funkky sound excerpt (00:17)
  56. Audio Engineering Society - Encoded/decoded, generation #1 (00:17)
  57. Audio Engineering Society - Encoded/decoded, generation #2 (00:17)
  58. Audio Engineering Society - Encoded/decoded, generation #3 (00:17)
  59. Audio Engineering Society - Encoded/decoded, generation #4 (00:17)
  60. Audio Engineering Society - Encoded/decoded, generation #5 (00:17)
  61. Audio Engineering Society - Encoded/decoded, generation #6 (00:17)
  62. Audio Engineering Society - Encoded/decoded, generation #7 (00:17)
  63. Audio Engineering Society - Encoded/decoded, generation #8 (00:17)
  64. Audio Engineering Society - Encoded/decoded, generation #9 (00:17)
  65. Audio Engineering Society - Encoded/decoded, generation #10 (00:17)
  66. Audio Engineering Society - Male speech original (00:10)
  67. Audio Engineering Society - Male speech Coded with 8-kHz sample rate (00:10)
  68. Audio Engineering Society - Female speech original (00:09)
  69. Audio Engineering Society - Female speech Coded with 8-kHz sample rate (00:09)
  70. Audio Engineering Society - Vocal Quartet Original (00:12)
  71. Audio Engineering Society - Vocal Quartet coded with 8-kHz sample rate (00:12)
  72. Audio Engineering Society - MusicA Original (00:11)
  73. Audio Engineering Society - MusicA Coded with 8-kHz sample rate (00:11)
  74. Audio Engineering Society - Music+speech mixed, Original (00:12)
  75. Audio Engineering Society - Music+speech mixed, coded with with 8-kHz sample rate (00:12)
  76. Audio Engineering Society - Male speech original (00:10)
  77. Audio Engineering Society - Male speech Coded with 16-kHz sample rate (00:10)
  78. Audio Engineering Society - Female speech original (00:08)
  79. Audio Engineering Society - Female speech Coded with 16-kHz sample rate (00:08)
  80. Audio Engineering Society - Vocal Quartet Original (00:12)
  81. Audio Engineering Society - Vocal Quartet Coded with 16-kHz sample rate (00:12)
  82. Audio Engineering Society - MusicA Original (00:11)
  83. Audio Engineering Society - MusicA Coded with 16-kHz sample rate (00:11)
  84. Audio Engineering Society - Music+speech mixed, original (00:12)
  85. Audio Engineering Society - Music+speech mixed, coded with 8-kHz sample rate (00:12)
  86. Audio Engineering Society - Fremal speech Original (00:21)
  87. Audio Engineering Society - Fremal speech bandpass filtered in the MPEG domain (00:21)
  88. Audio Engineering Society - Fremal speech bandpass filtered in the time domain (00:21)
  89. Audio Engineering Society - Fremal speech bandpass filtered using subband scaling (00:21)
  90. Audio Engineering Society - Fremal speech sampling rate conversion in the time domain (00:21)
  91. Audio Engineering Society - Fremal speech sampling rate conversion in the MPEG domain (00:21)
  92. Audio Engineering Society - Gilmour Original (01:23)
  93. Audio Engineering Society - Gilmour bandpass filtered in the MPEG domain (01:23)
  94. Audio Engineering Society - Gilmour bandpass filtered in the time domain (01:23)
  95. Audio Engineering Society - Gilmour bandpass filtered using subband scaling (01:23)
  96. Audio Engineering Society - Gilmour sampling rate conversion in the time domain (01:23)
  97. Audio Engineering Society - Gilmour sampling rate conversion in the MPEG domain (03:53)
  98. Audio Engineering Society - data (23:16)


listicles end ruler, top 40, top 100, top 5, top ten
Bookmark this list: Press CTRL + D or click the star icon.