Grey Larsen: The Essential Guide to Irish Flute and Tin Whistle (disc 1) CD Track Listing

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Grey Larsen The Essential Guide to Irish Flute and Tin Whistle (disc 1)
This folk cd contains 99 tracks and runs 43min 32sec.
Freedb: 3c0a3263

Category

: Music

Tags

: music songs tracks folk

1. Grey Larsen - Figure 1-1: The seven so called church modes (Concertina) (00:50)
2. Grey Larsen - Figure 1-2: Comparison between the Ionian and Mixolydian modes and the Aeolian and Dorian modes (Fl (00:35)
3. Grey Larsen - Figure 1-4: Examples of the two pentatonic modes found in Irish music (Flute) (00:17)
4. Grey Larsen - Figure 1-5: The first part of "Turtle's Reel" in D Dorian (Concertina) (00:21)
5. Grey Larsen - Figure 1-6: The first part of "Turtle's Reel" transposed up to E Dorian (Whistle in C) (00:20)
6. Grey Larsen - Figure 1-7: An example of the use of slur notation (Whistle) (00:09)
7. Grey Larsen - Figure 1-10: The opening bars of the march "Lord Mayo" (Whistle) (00:12)
8. Grey Larsen - Exercise 7-1: Practicing cuts on repeated D's (Whistle) (00:17)
9. Grey Larsen - Exercise 7-7: F-sharp to a cut G (Flute) (00:30)
10. Grey Larsen - Figure 7-15: A version of "The Lonesome Jig", which makes use of cuts only on repeated notes and st (01:42)
11. Grey Larsen - Exercise 7-12: D to a cut F-sharp (Whistle) (00:19)
12. Grey Larsen - Exercise 7-13: D to a cut G (Whistle) (00:19)
13. Grey Larsen - Exercise 7-14: D to a cut A (Whistle) (00:19)
14. Grey Larsen - Exercise 7-15: D to a cut B (Whistle) (00:19)
15. Grey Larsen - Exercise 7-22: G down to a cut F-sharp (Flute) (00:28)
16. Grey Larsen - Exercise 7-27: F-sharp down to a cut D (Flute) (00:19)
17. Grey Larsen - Figure 7-16: A version of the slip jog "The Boys of Ballisodare" that makes use of examples of ever (02:17)
18. Grey Larsen - Figure 7-17: The first two bars of the slip jig "Hardiman the Fiddler" with a cut placed at the ons (00:10)
19. Grey Larsen - Figure 7-19: The first two parts of the slip jig "Hardiman the Fiddler" with a cut placed at the mi (00:10)
20. Grey Larsen - Exercise 8-1: Practicing repeated strikes on G (Flute) (00:25)
21. Grey Larsen - Exercise 8-8: Practicing strikes on F-sharp when descending from G (Flute) (00:24)
22. Grey Larsen - Figure 8-15: A version of the hornpipe "Bantry Bay" using cuts and strikes only on repeated notes a (01:10)
23. Grey Larsen - Exercise 18-13: Practising strikes on E when descending from G (Whistle) (00:24)
24. Grey Larsen - Figure 8-16: A version of the hornpipe "Bantry Bay" using cuts and a variety of strikes (Whistle) (01:23)
25. Grey Larsen - Figure 9-1: Sliding up from E to F-sharp (Flute) (00:08)
26. Grey Larsen - Figure 9-6: The opening bars from "The Blarney Pilgrim" with a simple slides from B up to C-natural (00:12)
27. Grey Larsen - Figure 9-8: An excerpt from a variation on the beginning of the jig "The Cliffs of Moher" (Flute) (00:12)
28. Grey Larsen - Figure 9-9a: The opening bars of "The Star Above the Garter" with an added-finger slide up to G fol (00:11)
29. Grey Larsen - Figure 9-9b: Played again, this time using a struck slide as described in the text (Whistle) (00:11)
30. Grey Larsen - Figure 9-10: The opening bars of "Willie Coleman's Jig" (Flute) (00:09)
31. Grey Larsen - Exercise 10-1: Practicing long rolls on G (Flute) (00:24)
32. Grey Larsen - Figure 10-5: The jig "The Sporting Pitchfork" with long rolls on G, F-sharp and E (Whistle) (00:54)
33. Grey Larsen - Figure 10-6: The jig "The Sporting Pitchfork" with long rolls on B, A, G, F-sharp and E (Whistle) (00:52)
34. Grey Larsen - Figure 10-16: The first two bars of the reel "The Banshee" with long rolls on G (Flute) (00:09)
35. Grey Larsen - Figure 10-18: The first two bars of "Whelan's Jig" with long roll on E (Flute) (00:08)
36. Grey Larsen - Figure 10-20: The first two bars of the reel "The Drunken Landlady" with long rolls on E, which beg (00:09)
37. Grey Larsen - Figure 10-22: The first two bars of the reel "The Gravel Walk" with a long A roll beginning on the (00:08)
38. Grey Larsen - Figure 10-24: The first two bars of a variation on "The Monaghan Jig" with a long roll on E beginni (00:08)
39. Grey Larsen - Figure 10-26: The first four bars of the B part of "The Rose in the Heather", which includes a long (00:11)
40. Grey Larsen - Figure 10-30: Sliding into long rolls on the start of the reel "Roaring Mary" (Whistle) (00:08)
41. Grey Larsen - Exercise 11-1: Practicing short rolls on G (Whistle) (00:14)
42. Grey Larsen - Figure 11-6: A setting of "The Sporting Pitchfork" using short rolls on G, F-sharp and E (Flute) (00:45)
43. Grey Larsen - Figure 11-7: A setting of "The Sporting Pitchfork" using short rolls on B, A, G, F-sharp and E (Flu (00:50)
44. Grey Larsen - Figure 11-18: A variant on the start of "Lad O'Beirne's Reel" demonstrating an awkward-sounding sho (00:09)
45. Grey Larsen - Figure 11-19: A more musical variant on the start of "Lad O'Beirne's Reel" (Whistle) (00:09)
46. Grey Larsen - Figure 11-10: A short roll in the second bar of "The Lonesome Jig" (Flute) (00:09)
47. Grey Larsen - Figure 11-11: A short roll in the second bar of "The Lonesome Jig" (Flute) (00:08)
48. Grey Larsen - Figure 11-12: Short rolls in the opening bar of the jig "Tripping Up the Stairs" (Flute) (00:17)
49. Grey Larsen - Figure 11-14: A variant on the opening bars of the jig "The Frost Is All Over" (Flute) (00:11)
50. Grey Larsen - Figure 11-15: An example of a short roll preceded by an eighth note of the same pitch (Whistle) (00:06)
51. Grey Larsen - Figure 11-19: The first part of the reel "The Drunken Landlady" (Whistle) (00:20)
52. Grey Larsen - Figure 11-20: The opening bars of "Old Joe's Jig" beginning with a long roll (Whistle) (00:08)
53. Grey Larsen - Figure 11-21: The opening bars of "Old Joe's Jig" beginning with an ascending roll (Whistle) (00:08)
54. Grey Larsen - Figure 12-4: Four different ways to play the beginning of "The Glen Allen Reel" (Whistle) (00:18)
55. Grey Larsen - Exercise 12-1: Practicing condensed long rolls on G (Flute) (00:19)
56. Grey Larsen - Figure 12-7: A setting of "The Sporting Pitchfork" using condensed long rolls on G, F-sharp and E ( (00:52)
57. Grey Larsen - Figure 12-8: A setting of "The Sporting Pitchfork" using condensed long rolls on B, A, G, F-sharp a (00:48)
58. Grey Larsen - Figure 13-6: A condensed short roll on f-sharp in the third bar of the polka "Maids of Ardagh" (Whi (00:11)
59. Grey Larsen - Exercise 13-1: Practicing condensed short rolls on G (Whistle) (00:13)
60. Grey Larsen - Figure 13-9: A setting of "The Sporting Pitchfork" using condensed short rolls on G, F-sharp and E (00:53)
61. Grey Larsen - Figure 13-10: A setting of "The Sporting Pitchfork" using condensed short rolls on B, A, G, F-sharp (00:51)
62. Grey Larsen - Exercise 15-1: Practicing long double-cut rolls on G (Flute) (00:24)
63. Grey Larsen - Figure 15-4: A setting of the reel "The Skylark" using long double-cut rolls on A, G, F-sharp and E (01:03)
64. Grey Larsen - Exercise 15-5: Practicing short double-cut rolls on G (Whistle) (00:19)
65. Grey Larsen - Figure 15-9: A setting of the reel "The Skylark" using short double-cut rolls on A, G, F-sharp and (01:09)
66. Grey Larsen - Exercise 15-9: Practicing condensed long double-cut rolls on G (Flute) (00:19)
67. Grey Larsen - Figure 15-13: A setting of the reel "The Skylark" using condensed long double cut rolls on F-sharp (01:03)
68. Grey Larsen - Exercise 15-13: Practicing condensed short double-cut rolls on G (Whistle) (00:18)
69. Grey Larsen - Figure 15-17: A setting of the reel "The Skylark" using condensed short double-cut rolls on A, G, F (01:06)
70. Grey Larsen - Exercise 16-1: Practicing long cranns on D (Whistle) (00:24)
71. Grey Larsen - Figure 16-6: A setting of the reel "The Trip to Durrow" which makes use of long cranns on D and E ( (01:27)
72. Grey Larsen - Exercise 16-3: Practicing short cranns on low D (Whistle) (00:19)
73. Grey Larsen - Figure 16-11: A setting of the jig "Garret Barry" which short and long cranns on D (Whistle) (00:51)
74. Grey Larsen - Figure 16-13: The first two bars of the jig "The Humours of Ballyloughlin" with a long crann on D ( (00:08)
75. Grey Larsen - Figure 16-14: A variant of the first two bars of the reel "The Lady On the Island" with a long cran (00:08)
76. Grey Larsen - Figure 16-16: The first two bars of the third part of the reel "The Boys of Ballisodare" with a lon (00:09)
77. Grey Larsen - Figure 16-18: A variant on the first two bars of the reel "The Lady On the Island" with a long cran (00:09)
78. Grey Larsen - Figure 16-20: The first two bars of the third part of the jig "The Battering Ram" with a long crann (00:08)
79. Grey Larsen - Figure 16-22: The first two bars of the second part of "Old Joe's Jig" with a short crann on D (Whi (00:09)
80. Grey Larsen - Figure 16-24: The ending of the first, third and fourth parts of the jig "The Humours of Ballylough (00:12)
81. Grey Larsen - Figure 16-30: A variant on the first two bars of "The Home Ruler" with condensed long cranns on D ( (00:09)
82. Grey Larsen - Figure 16-32: A variant on the first two bars of the jig "The Blarney Pilgrim" with a condensed sho (00:09)
83. Grey Larsen - Figure 18-6: An expert from the second part of the hornpipe "Bantry Bay" with a single troll on E ( (00:10)
84. Grey Larsen - Figure 18-8: The first two bars of the slip jig "The Whinny Hills of Leitrim" with a single troll o (00:10)
85. Grey Larsen - Figure 18-10: The first two bars of the slip jig "The Whinny Hills of Leitrim" with a more elaborat (00:10)
86. Grey Larsen - Figure 18-12: An excerpt from the second part of Mary Bergin's version of "Old Joe's Jig" with an e (00:11)
87. Grey Larsen - Figure 18-17: The most common notes for a tight triplet (played in both of the variants described i (00:09)
88. Grey Larsen - Figure 18-18: Another note sequence which can be played as a tight triplet (Flute) (00:07)
89. Grey Larsen - Figure 18-19: A setting of the first part of the jig "Garrett Barry" with a quadruplet in measure f (00:17)
90. Grey Larsen - Figure 19-1: A typical way of playing the first two bars of "The Glen Allen Reel" (Whistle) (00:09)
91. Grey Larsen - Figure 19-2: Another way to play the first two bars of "The Glen Allen Reel" using the melodic vari (00:09)
92. Grey Larsen - Figure 19-5: A melodic alternative to a long crann on d (a long crann is played first) (Flute) (00:07)
93. Grey Larsen - Figure 19-6: The first two bars of the jig "Scotsman Over the Border" (Flute) (00:08)
94. Grey Larsen - Figure 19-8: A melodic alternative to a short crann on low d (a short crann is played first) (Whist (00:07)
95. Grey Larsen - Figure 19-9: A melodic alternative to a short crann on high d (a short crann is played first) (Whis (00:07)
96. Grey Larsen - Figure 19-10: A setting of the jig "Garrett Barry" showing how melodic variants can be used to repl (00:51)
97. Grey Larsen - Figure 19-11: Four melodic variants on the long g roll found in the first bar of the reel "The Shas (00:28)
98. Grey Larsen - Figure 19-13: Three melodic variants of the beginning of the fourth part of the reel "The Gravel Wa (03:20)
99. Grey Larsen - Data Track (00:07)